on the road at home

It's not even an open secret, it's actually very obvious. It's just that sometimes it is overlooked precisely because it is so obvious: Beauty is nearby.

I want to explore, travel and discover my near surrounding; to consciously see and appreciate what is so close - just as I do when traveling to other places, cities, regions, countries.

This is the result of various thoughts and a lot of time to analyze them step-by-step.

A list, time passes by, one move

I moved. And looking back, one is always smarter. There's one thing I regret a little: in my last place of residence, Dresden, I proposed myself an undefined later for whatever I wanted to do in Dresden. Later was said again and again; until later became now and now is time to pack moving boxes. No more time for short or long walks and no more time for half-day trips to the hiking region nearby. later became too late. And many things that wanted to be seen and checked out remained unseen and unchecked.

I did do things in Dresden, enjoyed them and experienced life there; I did matter of the heart, such as the biking tour through district libraries - it's not like that I missed everything. I already had a similar thought when I moved to Dresden. I had learnt my lessons from the pre-Dresden city and had done better in Dresden. In the end, there were still a few open things. I know there's always something to do and to discover and there's never enough time anyway. However, what I attribute to myself is to underestimate how fast this later would come and to having the optimism that things would work out by themselves. It didn't.

For the new place of living, Hochheim am Main, a small town between Mainz and Frankfurt am Main, I want to motivate myself more to not put things off and actually get on them.

Arriving

Very closely related to moving and yet different: arriving here. I moved from one region to a completely different region that is new to me. Everything new. And I want to have that feeling of having arrived . I don't know what this feeling is made of in detail. Surely, there's a bit of the first reason in here. By exploring the area bit by bit, I hope to discover the facets of the feeling of having arrived.

on the road at home, traveling at home

There's one thought that has come up again and again in recent years, waved briefly and then disappeared again. On my trip to Japan, this one thought came very early on (which surprised me):

Why am I looking for beauty so far away? Why do I photograph so much here, away from home, and get so excited but do not feel this way at home?

It's obvious: in a faraway country, like Japan, or in any other place (city, region, country) - you may only get there once and have a limited amount of time. You want to see, experience, absorb and remember as much as possible. You prepare yourself for the trip and feel great anticipation. In most cases, it is also a long-awaited change, a holiday from everyday (working) life.

What I have on my doorstep at home (more or less on my doorstep) is no less admirable. I just don't notice it as much because it's just my everyday life. I also just don't think of my home as a place to travel, for the same reason. This automatically eliminates everything that is part of traveling.

Thus, change of perspective: Consider the place of living and the surrounding area as a place to travel. Doing it really consciously. Being a tourist.

That's nothing new. But the conscious change of perspective is good and important for me to be able to change my perception.

The art of noticing

On most days, I won't make it far at all because time doesn't allow it and I'll just go for a walk around the block. But that's when "the art of noticing" becomes much more important. Basically, the art of noticing, recently introduced by a video by Teo Crawford, is being mindful and being aware of everyday life. What would I take note of, what would I photograph if I didn't see this every day?

Now to the nitty gritty: How far shall it be? The distance and the time

The scope (time/duration and distance) will and can be very different. It is difficult to me to draw a line. The amount of time and distance correlate: The further away from home I am, the longer I am likely to stay away. This certainly depends on the actual journey time rather than the linear distance. Thus, it can be anything from a 10-minute exploration trip (one round around the block) to a whole weekend away from home.

For me and myself

At first I thought that a camera and my blog would accompany me. But then a strange feeling crept up on me and I realized: I'm doing this for myself. I want to experience things, I want to be here. Not to create something which can be presented in the end.

Whatever makes it into a presentable memory, be it a photo or an anecdote or a mini travelogue - we'll see. With this post, I mainly wanted to share my thoughts on this. Because I have starting a bit of all of this - this idea has coming down for some time already he he.

I know this is nothing new (I'm repeating myself). Lots of people do this (I've discovered some great blogs about this recently!). But I needed to collect and sort it out for myself and this is what came out 😀

Anticipation, oh, anticipation

I'm really looking forward to this! Looking forward to feeling a bit like a tourist with travel tips in my bag, strolling around and finding favourite places; and on other days, finding out what there is to see and observe in my very close surrounding. I'm hoping for lots of (beautiful) unexpected things, surprises that you encounter when one is out and about. I already know that I will learn a lot about what is around here, but also and above all I will learn things about myself.


Picture 1: TU Dresden in Dresden, 2022 | Camera: Olympus XA2. Film: Agfaphoto APX 100. Development: self-developped. Scan: Charlie Engel Lab 2.0

Picture 2: Vines in Hochheim am Main, 2023 | Camera + lens: Minolta 9000 AF + Minolta AF 50 mm f/1.4. Film: Agfaphoto APX 100. Development + scan: ON FILM LAB

Inside and outside, buildings | Sunny 16 #2 (Set 1/6)

Although I’m not sure what it was that I wanted to express with the photos of the windows and whether it should like how it looks now on the pictures (up to 50 % being completely black), I think they convey a certain atmosphere. Especially the one where the handle is in the middle of the picture is nice to me. The contrast catches me.

A few months ago a friend who just entered the world of analogue photography, and I went on a small photography tour. Typography fascinates me and that’s how „Allerlei am Markt“ („Potpourri at the marketplace“) got on my film. Unfortunately the words are not in focus (I’m on my way to fix the root cause) and I am not completely content how I captured the words. 66c doesn’t have a particular meaning to me. It was typography as well which made me shooting this.

And last but not least: Görgesbau. Every building on the campus of TU Dresden has its own name, ending with -bau (building) and actually I had the idea to photograph all buildings, or the their names to be more precise. But so far, this remained an idea only.

Görgesbau was a photographical surprise to me! It was dawning already and I was afraid that it could be too dark already to shoot a proper photo. Nonetheless, I gave it a try – I had a film with ISO 400 in my camera and thought this is not the worst condition to shoot at dawn. When I saw the result, I clapped myself on the back for estimating the light kind of correct. And I don’t have to mention the typography, do I?

Is there a photo which touches you in any way?

Hard facts! Camera: Minolta 9000 AF, Minolta AF 50 mm f/1.4 and Minolta AF Macro 100 mm f/2.8 | Film: Kodak T-MAX 400 | Development & Scan: Fotolabor Görner Dresden

Farbe im Dresdner botanischen Garten | Sunny 16 #1, Fotoergebnisse (1/7)

Endlich kann ich dir die Fotoergebnisse meiner ersten Sunny 16-Runde zeigen, denn ich habe die Scans von der mitgelieferten CD übertragen können (habe kein CD-Laufwerk mehr)!

Kleine Erinnerung zu meinem Sunny 16-Projekt
Die Sunny 16-Regel ist eine Daumenregel, mit der ich als Fotografin die Lichtverhältnisse für ein Foto abschätzen und die Einstellungen an der Kamera selbst auswählen kann, damit das Foto gut belichtet wird. Und ich habe auf Film fotografiert und nicht digital. Wie die Geschichte mit der Sunny 16-Regel begann, findest du im 1. Teil. Im 3. Teil habe ich schon das Fazit gezogen, dass die Bilder ganz okay geworden sind.

Ich werde fast alle Fotos dieses Films zeigen (nur persönliche spare ich aus). Bloß wirst du nicht alle auf einmal sehen, denn ich habe mich dazu entschieden, die Fotos in 7 Sets aufzuteilen, die nacheinander jeden zweiten Tag veröffentlicht werden.

Ich habe überlegt, alle in einem Post zu veröffentlichen, aber
a) sind es 36 Fotos, was ich als viel auf einmal empfinde und es schöner finde, wenn du dich auf wenige Fotos fokussieren kannst und
b) weil ich dadurch mehr Posts habe und du häufiger auf meinem Blog vorbeikommen musst und damit die Blogstatistik verbesserst 😛 (keine Angst, ich habe keine Ahnung von dem ganzen Statistikgedöns und mir bringt sie nichts – also kein Geld – außer persönliche Freude).

Schreibe mir gerne in den Kommentaren, ob und/oder welches Fotos dir gefällt – ich bin gespannt! (Ey, ich klinge wie Youtuber:innen xD)

~

Set: Farbe im Dresdner botanischen Garten

Ein Drittel des Films ist im Dresdner botanischen Garten geschossen worden. Das Coole am Dresdner botanischen Garten ist der kostenlose Eintritt. Damit ist er eine kleine grüne Oase der Ruhe, die leicht zugänglich ist, wenn sie gebraucht wird.
Farbe im botanischen Garten – es geht natürlich um die Farben außer der grünen Farbe. Dass viel Grün im botanischen Garten zu finden ist, ist klar.
Das letzte Foto dieses Sets ist unscharf und überbelichtet worden. Im Nachhinein finde ich es auf seine eigene Weise künstlerisch und passend für Instagram (LOL).
Von einem Kenner der Filmfotografie habe ich erfahren, dass der Kodak-Film für seine Rottöne bekannt ist. Ein Bild zeigt das ganz deutlich – und ich muss schon sagen, dass die Farbe der roten Blüte stark ist! I like!
Bei den ersten zwei Bildern merke ich, welchen Unterschied es macht, näher ranzugehen und den Ausschnitt zu verändern: Ich mag das zweite Foto mehr als das erste.

Hard facts! Kamera: Minolta Dynax 7000i , Minolta AF 50 mm f/1.4 | Film: Kodak ISO 200 (Farbfilm, genauere Spezifikationen nicht notiert) | Filmentwicklung & Scan: Drogeriemarkt Rossmann

english version