Madeira 2024 #4 | On film: The blue of Porto Moniz

The blue and turquoise of Porto Moniz. The white gout. The rough sea, the surf. It was so calming. Regaining our strength and having the sea in front of us after days of lying around. That was all we needed. We were drawn to the sea every day. It was too cold to swim and the waves and currents were too strong.

I couldn't break away from the colours of the water. Since day 1 in Porto Moniz, I wanted to capture these colours on film. And in the end, I succeeded.

(Click on the image to see it as a whole)


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#1: Intro | #2: São Lourenço | #3: A curtain and learning exposure | #4: The blue of Porto Moniz | #5: Cliff | #6: Green hangings | #7: moody mist | #8: On the roads of Camacha | #9: On the roads of Calheta | #10: The house on the big hill | #11: Colourful row of houses in Lisbon | #12: My impression of Madeira and Lisbon


Camera + lens: Minolta Dynax 7000i + Minolta AF 50 mm f/1.4
Film: Kodak Gold 200
Development + scan: ON FILM LAB

Madeira 2024 #3 | On film: A curtain and learning exposure

(Click on the image to see it as a whole)

This picture tells two stories:

One story is reminiscent of the sickbed we had set up. We had managed to get something gastrointestinal-related and were therefore confined to bed for a few days. We had no strength for more. Drinking and broth soup was everything that was feasible.

The other story, and this is my personal beautiful story, is having a lot of time. Between periods of tiredness and slumber, I felt like getting involved in the subject of exposure. At that point, I had already decided for some time - several weeks, maybe months - to dive into the topic exposure, or rather how I measure it and set it "the right way". While my first experience was the Sunny 16 rule , I decided to move away from the rule of thumb and towards the light meter. At the very beginning I was lost; honestly speaking, I have never really bothered with metering methods. And that day, lying in bed, I thought I'd use the time to try out the zone system. I had read about it several times but never understood it. YouTube was the medium of choice and after two or three videos I roughly understood the concept.

And the curtain? In my memory, this is the first picture where I had understood the zone system. My personal achievement...

stop stop!

I have to correct myself. After comparing various time stamps (video history, dates of the images), this image of the curtain was not the first picture where I had understood and applied the zone system. That was a few days earlier and a few pictures before that.

The truth: I learnt to understand the zone system back in my healthy days, just before the gastrointestinal fuss came over me. During the sick days, I really only napped and rested. Even if my memory was playing tricks on me, one thing was good and really happened: The curtain picture was the first picture after being ill that I took using the zone system.

One other thing I am very sure about beside all these half-true memories: I learnt and understood the zone system in this very room, with these curtains. This is true.


#1: Intro | #2: São Lourenço | #3: A curtain and learning exposure | #4: The blue of Porto Moniz | #5: Cliff | #6: Green hangings | #7: moody mist | #8: On the roads of Camacha | #9: On the roads of Calheta | #10: The house on the big hill | #11: Colourful row of houses in Lisbon | #12: My impression of Madeira and Lisbon


Camera + lens: Minolta Dynax 7000i + Minolta AF 50 mm f/1.4
Film: Kodak Gold 200
Development + scan: ON FILM LAB

Madeira 2024 #2 | On film: São Lourenço

View towards Madeira island

(Click on the image to see it as a whole)

São Lourenço was the first adventure we embarked on. São Lourenço is one of THE hikes in Madeira that has been recommended over and over again. In contrast to Japan, I personally did very rudimentary preparations only for my holiday in Madeira. I went along without any argument, after all I had no counter-suggestion.

I remember that there was a fee at the "entrance" which benefited the nature conservation. As we are in the 21st century, obviously you could ONLY pay this fee online. The best thing about it: my internet was on E all the time, no 3G or LTE at all. That's how internet works. At some point we managed it - the solution was a classic one: walk a few metres further on and the internet connection was better again.

The hike was a path over rough and rough and not as straight forward as you might think when you see the pictures of the terrain. You walk along winding paths that you can't guess from the pictures. The landscape was quite barren, yet very green. A strange contradiction, isn't it? We searched in vain for shade here. Sometimes we walked away from the path and up to one of the peaks. The cliffs were amazing! I lay down on my stomach to look down. I didn't take any photos even though the view was amazing. The fear of accidentally dropping the camera was too great.

The pictures were taken on the way back (same as the way there). I captured the view back to the end of the island and the summit that we had reached and climbed shortly before as I rested on a large stone. The hike had made me very tired. What I found particularly amusing about this view was this "hole" through which you can see through to the other side of the sea.

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#1: Intro | #2: São Lourenço | #3: A curtain and learning exposure | #4: The blue of Porto Moniz | #5: Cliff | #6: Green hangings | #7: moody mist | #8: On the roads of Camacha | #9: On the roads of Calheta | #10: The house on the big hill | #11: Colourful row of houses in Lisbon | #12: My impression of Madeira and Lisbon



Camera + lens: Minolta Dynax 7000i + Minolta AF 50 mm f/1.4
Film: Kodak Gold 200
Development + scan: ON FILM LAB